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Tate Britain · Tate Liverpool · Tate Modern · Tate St Ives |
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| Established | 2000 | ||
| Location | Bankside, London SE1, England | ||
| Visitor figures | 5,235,000 (06/07)[1] | ||
| Director | Vicente Todolí | ||
| Nearest tube station(s) | Blackfriars, Southwark | ||
| Website | www.tate.org.uk/modern | ||
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The Tate Modern in London is Britain's national museum of international modern art and is, with Tate Britain, Tate Liverpool, Tate St Ives, and Tate Online[2], part of the group now known simply as Tate.
The galleries are housed in the former Bankside Power Station, which was originally designed by Sir Giles Gilbert Scott, the architect of Battersea Power Station, and built in two stages between 1947 and 1963. The power station closed in 1981. The building was converted by architects Herzog & de Meuron and contractors Carillion[3], after which it stood at 99m tall. The history of the site as well as information about the conversion was the basis for a 2008 documentary Architects Herzog and de Meuron: Alchemy of Building & Tate Modern. The southern third of the building was retained by the French power company EDF Energy as an electrical substation (in 2006, the company released half of this holding).[4]
Since the museum's opening on 12 May 2000, it has become a destination for Londoners and tourists. Entry is free for the permanent collection and some temporary exhibitions.
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The collections in Tate Modern consist of works of international modern and contemporary art dating from 1900 onwards.[5]
The Tate Collection is on display on levels three and five of the building, while level four houses large temporary exhibitions and a small exhibition space on level 2 houses work by contemporary artists.
When the gallery opened in 2000, the collections were not displayed in chronological order but were rather arranged thematically into four broad groups: 'History/Memory/Society'; 'Nude/Action/Body'; 'Landscape/Matter/Environment'; and 'Still Life/Object/Real Life'. This was ostensibly because a chronological survey of the story of modern art along the lines of the Museum of Modern Art in New York would expose the large gaps in the collections, the result of the Tate's conservative acquisitions policy for the first half of the 20th century. The first rehang at Tate Modern opened in May 2006. It eschewed the thematic groupings in favour of focusing on pivotal moments of twentieth-century art, with further spaces allocated on levels 3 and 5 for shorter exhibitions. The current layout is:
This focuses on abstraction, expressionism and abstract expressionism, featuring work by Claude Monet, Anish Kapoor, Barnett Newman, Mark Rothko, Henri Matisse and Tacita Dean.[6]
Works made from the 1950s onwards by painters who have explored the relationship between experience and abstract mark-making. Of those included: Fred Williams, Judit Reigl and Shozo Shimamoto.
The sexually explicit section on this level currently features a drawing by the pseudo-anonymous French artist Proper Man entitled 'le cock et le balls' which is his attempt to explore the tension between old and new attitudes to sexuality within an urban environment.
This focuses on minimalism, conceptual art and constructivism with work by artists such as Carl Andre, Dan Flavin, Sol LeWitt, Martin Creed[7] and Jenny Holzer.[8]
This focuses on Cubism, Futurism, Vorticism and Pop Art,[9] containing work by artists such as Pablo Picasso,[10] Roy Lichtenstein, Andy Warhol[11] and the photographer Eugène Atget,[12]
The Turbine Hall, which once housed the electricity generators of the old power station, is five storeys tall with 3,400 square metres of floorspace.[13] It is used to display large specially-commissioned works by contemporary artists, between October and March each year in a series sponsored by Unilever. This series was planned to last the gallery's first five years, but the popularity of the series has led to its extension until at least 2012[14].
The artists that have exhibited commissioned work in the turbine hall are:
The Level 2 Gallery is a smaller gallery located on the north side of the building which houses exhibitions of cutting edge contemporary art. Its exhibitions normally run for 2 - 3 months[15].
As with levels 3 and 5, level 4 is broken into two large exhibition areas. This is used to stage the major temporary exhibitions for which an entry fee is charged. These exhibitions normally run for 3 or 4 months. The two exhibition areas can be combined to host a single exhibition. This was done for the Gilbert and George retrospective[16] due to the size and number of the works.
Small temporary exhibition spaces are also located in the space between the two galleries on levels 3 and 5. These are sometimes used to display recent acquisitions. Works are also sometimes shown in the restaurants and members' room. Other locations that have been used in the past include the mezzanine on Level 2 and the north facing exterior of the building.[17]
The closest tube station is Southwark, although Waterloo station or Blackfriars tube station and a short walk over Blackfriars Bridge is also convenient. A further pedestrian approach to Tate Modern is across the Millennium Bridge from St Paul's Cathedral. The lampposts between Southwark tube station and the Tate Modern are painted orange to show pedestrian visitors the way.
There is also a riverboat pier just outside the gallery called Bankside Pier, with connections to the Docklands and Greenwich via regular passenger boat services (commuter service) and the Tate to Tate service, which connects Tate Modern with Tate Britain via the London Eye.
To the west of Tate Modern lie the sleek stone and glass Ludgate House, the former headquarters of Express Newspapers and Sampson House, a massive late Brutalist office building.
Tate Modern has attracted more visitors than originally expected and plans to expand it have been in preparation for some time. These plans have focused on three areas for expansion all to the south of the building:
The design of the new extension building has been controversial. It was originally designed as a glass stepped pyramid, or zigurat, but this has recently been amended to incorporate a brick façade (to match the original power-station building [18]) after feedback on the original design was unfavourable[citation needed]. The extension will include galleries dedicated to photography, video, exhibitions and the community, on the south side of the building, also designed by Herzog & de Meuron, which will increase the display space by 60%, was granted planning permission on 27th March 2007.[19] This project will cost approx. £215 million and is scheduled to open in 2012, in time for the 2012 Olympic Games being held in the city.[20]. Additionally, the Tate Britain will be undergoing refurbishment[citation needed].
 In 2000 at the opening (and closing) of the Millennium Bridge |
 In the early morning, seen from near Blackfriars |
 From the Millennium Bridge |
 Construction cranes forming an honour guard. |
 Millennium Bridge and St Paul's Cathedral from the Tate Modern |
 Chimney of Tate Modern. The Swiss Light at its top was designed by Michael Craig-Martin and the architects Herzog & de Meuron and was sponsored by the Swiss government. It was dismantled in May 2008. |
.jpg) View looking up the chimney of Tate Modern |
 View from the Millennium Bridge in 2006 |
 The Turbine Hall. No art work was on display in the hall at the time (June 2005) |
 Ólafur Elíasson's The Weather Project October 2003 - March 2004 |
 Ólafur Elíasson's The Weather Project in the Turbine Hall |
 Rachel Whiteread's 2005 Embankment |
 Test Site by Carsten Höller (2006) |
 Shibboleth by Doris Salcedo (2007) |
 At the deep end of 'The Crack' (Shibboleth) (2007) |
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