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Street punk

From MedBib.com - Medicine & Nature

Street punk
Stylistic origins	Punk rock Oi!
Cultural origins	Early 1980s United Kingdom and Sweden
Typical instruments	Vocals - Drums - Electric guitar - Bass guitar
Mainstream popularity	Low
Fusion genres
D-beat
Other topics
Anarcho-punk

Street punk (alternatively spelled streetpunk) is a working class^[1] genre of punk rock which took shape in the early 1980s, partly as a rebellion against the perceived artistic pretensions of the first wave of British punk.^[2][3] Street punk emerged from the Oi! style, performed by bands such as Sham 69, Angelic Upstarts, Cockney Rejects, Cock Sparrer, and UK Subs.^[4][5][6] However, street punk continued beyond the confines of the original Oi! form. Street punks generally have a much more outlandish appearance than the working class or skinhead image cultivated by many Oi! groups^[7]; whereas Oi! groups would typically wear jeans, t-shirts, cropped or shaven heads, and braces, street punks often had multi-coloured hair, mohawks, spike-encrusted leather vests, and clothing with political slogans or the names of punk bands. It has been called "aggressive yet [with] melody...[and] uncorrupted by "professionalism" or "musicianship."

Contents 1 Characteristics 2 History 2.1 UK 82 2.2 D-beat 2.3 Contemporary street punk 3 See also 4 Bibliography 5 References

Characteristics

Street punk music is characterized by two main musical aspects: single note guitar lines and short solos. Unlike similar genres such as hardcore punk, street punk bands often contain two guitarists, one of which plays guitar melodies while not singing. Street punk also makes frequent use of gang vocals and sing–along choruses, one of the aspects the genre borrows from Oi!. The lyrics to most street punk songs often feature condemnation or praise of acts of violence, drinking and drug use, partying, inner-city turmoil, or personal politics.^[8] Street punk bands sometimes express political viewpoints, typically of a left-wing variety, although some street punks eschew politics altogether in favor of a more hedonistic, nihilistic outlook.

Punk veteran Felix Havoc offered this description of the style:

“

It was aggressive yet had melody. As opposed to today's "melodic" punk it still had a lot of energy. It was honest. Hence the term "street punk." There is and was a feel that this was the kids music, from the streets, and was uncorrupted by "professionalism" or "musicianship." As opposed to the anarcho bands its message was more bleak and irreverent. The music was not a-political, just a less intellectual expression of political views of working class youth. The music was marketed as being of and by the working class. I suspect this was not universally the case. Still most middle and upper class kids cringe at frank discussions of violence as evidenced in a typical Blitz song. Early 80's UK punk was catchy as hell; it has sing-a-long choruses and hooky riffs.

”

History

UK 82

UK 82 (also known as UK hardcore, second wave punk,^[9] real punk,^[10] and No Future punk^[11]) took the existing punk sound and added the incessant, heavy drumbeats and distorted guitar sound of New Wave of British Heavy Metal bands, especially Motörhead.^[12] The lyrics of UK 82 bands tended to be much darker and more violent than the lyrics of earlier punk bands. The term UK 82 is taken from the title of a song by The Exploited.^[13] The three most prominent of these bands, according to Ian Glasper, are The Exploited, from Edinburgh; Discharge,^[14] from Stoke-on-Trent; and GBH, from Birmingham.^[15] The Exploited were controversial in the scene for their violent lyrics and for wearing swastikas, considered by many to be "cartoon punks".^[16] They also had a large Nazi punk following.^[17] Nonetheless: "For many, The Exploited were the quintessential second wave punk band with their senses-searing high-speed outbursts against the system, and wild-eyed frontman Walter 'Wattie' Buchan's perfect red mohican."^[18] Discharge's early work proved to be enormously influential, providing the blueprint for an entire subgenre. Their later work, however, was decried as bad heavy metal.^[19]

Cross pollination existed between this era of street punk and American hardcore punk.^[20] Lyrics in the UK82 scene tended to focus on the possibilities of a nuclear holocaust, and the apocalypse, partially due to the military tension of the Cold War atmosphere. The other mainstay of the lyrics of the time was unemployment, and the Conservative Party government of the time. Lyrics demonized the Conservative leader Margaret Thatcher^[21] in the same way that American hardcore punk bands did with the Ronald Reagan administration.

Other UK 82 groups include English Dogs,^[22] Chaos UK,^[23] Blitz,^[24] The Partisans,^[25] Disorder,^[26] Broken Bones,^[27] The Violators,^[28] Abrasive Wheels,^[29] One Way System,^[30] Vice Squad,^[3][31] Anti-Nowhere League,^[32] and Dogsflesh.^[33]

D-beat

D-beat (also known as Discore^[34] and käng (boot), in Sweden^[35]) was developed in the early 1980s by imitators of Discharge, for whom the genre is named.^[36] The first such group was The Varukers.^[34] The vocal content of D-beat tends towards shouted slogans. The style is distinct from its predecessors by its minimal lyrical content and greater proximity to heavy metal. It is closely associated with crust punk, which is a heavier, more complex variation.^[35] D-beat bands typically have anti-war, anarchist messages and closely follow the bleak nuclear war imagery of 1980s anarcho-punk bands. The style was particularly popular in Sweden, and developed there by groups such as Anti Cimex,^[37] Mob 47,^[38] Driller Killer,^[37] and Wolfbrigade.^[37] Totalitär, Skitsystem, and Disfear^[39] are contemporary Swedish D-beat groups. Other D-beat groups include Disclose, from Japan; Crucifix and Final Conflict, from the U.S.; and Ratos de Porão, from Brazil.

Contemporary street punk

Prominent 1990s street punk groups included The Virus, The Casualties,^[14][3][40] The Unseen,^[3] Oxymoron,^[3] A Global Threat, Lower Class Brats, Clit 45, The Restarts, and Antidote. Rancid^{[41][42][43][44]} and The Distillers^[14] also borrowed from street punk.

See also

• List of streetpunk bands

Bibliography

• Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980-1984. Cherry Red Books. ISBN 1901447243
• Glasper, Ian (2006). The Day the Country Died: A History of Anarcho Punk 1980 to 1984. Cherry Red Books. ISBN 1901447707
• Jandreus, Peter (2008). The Encyclopedia of Swedish Punk 1977-1987. Stockholm: Premium Publishing.

References

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